Jake Hicks Photography - Colour 2.0

• Course: Colour 2.0

• Format: In-person small group training event

• Duration: Full Day

• Price: £399

• Date: October 25th 2025

• Location: Studio 88 | High Wycombe | London | U.K.

Colour 2.0 Workshop & Course

This is my latest workshop and it’s one that I’ve spent the last year or more writing and developing. The reason this workshop has taken me so long to curate and finalise is not simply because it’s my most ambitious and detailed, but because photography and lighting are at a crossroads. Many of us are choosing to embrace the benefits and new challenges of LED lighting, while others are still using flash, as the decision to use either LED or flash isn’t quite as simple as it first appears.

LED or Flash?

Traditionally, coloured light has been achieved via coloured gels, and although I’ve spent over 2 decades refining and perfecting the techniques to master coloured light through gels, they can be limiting.

There are clearly many hundreds of different coloured gels on the market, but most of us likely only own around 20 of them. Today, you can buy almost any RGB LED light and have seemingly limitless colour choices, and even entry-level RGB lights have thousands and even millions of colours all right there at our fingertips. Surely LED lighting is the way to go, then? Not quite, and for many shooters, LED lighting is still falling short regarding power output. Many truly remarkable LED lights are out there today, but many are excellent at one specific task or look. In my opinion, flash still has the edge when it comes to adaptability, and it trades in a lot of refinement for its jack-of-all-trades approach to lighting.

My new Colour 2.0 workshop will be my first workshop where I provide all students with lighting diagrams and setups for both LED and flash lighting, and explain many qualities of light to look out for throughout this course for those using either LED or flash.

All new Lighting Setups

My new Colour 2.0 workshop will feature five completely new lighting setups. They’ll cover many of the more advanced aspects of studio lighting, including how to mix coloured light and pastel colours, and multiple uses for long-exposure in the studio for creative effects.

Setup 1

Setup 1 - The Basics of Controlling Coloured Light

This first setup focuses on understanding the basics of manipulating coloured light. How do we get intense colours? How do you avoid mixing coloured lights? How do we establish a strong colour on the background? And, how do we get smooth, clean, and even lighting on the model’s skin without any ugly banding or clipped colour?

Setup 2

Setup 2 - Combining Flash and LED

The second setup sees us exploring some of LED lighting's benefits, including its ability to easily create long-exposure images using colour. This may seem obvious if you’ve not tried long exposure with flash, but the constant light source of LED lighting and the ability to easily choose from millions of colours make this tricky creative technique significantly easier. Here we will look at learning how to separate the two types of lighting and in a single shot, all whilst maintaining intense, vivid colours.

Setup 3

Setup 3 - Dynamic Environmental Long Exposure

This is arguably one of the lighting setups I’m most proud of, as the unique style of images you can create from this technique really stands out. Once again, we will mix both flash and ambient light to create these impactful and energised long exposure portraits. One of the significant benefits of RGB LED lights is their vast range of colours, and with our ability to fine-tune those colours, we can quickly and easily surround our models in a believable environmental light.

Setup 4

Setup 4 - LED Tube Portrait

I’ve mentioned that many LED lights are masters of a single look or effect, versus flash, which is a jack-of-all-looks. LED tubes are one great example of this, as they create a truly unique type of lighitng that only they can create. Sadly, this technique simply isn’t possible with flash, and although these LED tubes are only really good at one type of look, that look is extremely impactful and engaging. This technique teaches us a lot about managing light drop-off and controlling exposures when very close to the skin.

Setup 5

Setup 5 - LED Tubes and Environmental Light

Our final setup is an evolution of the previous one, but this development of the lighting can open up a ton of possibilities when it comes to not only colours, but depth and interest to the shot. In our previous setup, we heavily relied on a lot of contrast as our subject seemed to be emerging from the shadows; now, with the addition of a contrasting colour being washed across the image, we can show more of the subject and their styling. This technique also crucially teaches us about my ‘hierarchy of light’ principle, which allows me to mix multiple contrasting colours in the same scene, without washing out or destroying the other colours.

What’s Included?

As with all my workshops and courses, all students will receive a complete PDF of notes that showcase the covered topics, along with all my lighting setups, diagrams, and behind-the-scenes photos. Plus, all attendees will also receive a pack of my Lightroom Presets specifically designed for the lighting setups covered in this workshop as well.

Included with this lighting workshop…

• Comprehensive 77-page PDF of workshop notes

• Studio lighting kit list

• All 3D lighting diagrams for setups - including both LED and Flash Setups

• 10 Lightroom Presets specifically for the lighting setups taught in this workshop

More Lighting Course than Lighting Workshop

This may seem like an odd distinction to make, but I really do want to reiterate just how much knowledge I’ve packed into this course. There’s absolutely nothing wrong with your regular workshops where you turn up and simply photograph what’s been laid out in front of you. After all, taking great photos is all any of us wants to do. However, I do want to emphasise that the primary purpose of all my lighting courses and workshops is to equip you with the skills and knowledge to confidently walk away on the day, with the ability to recreate any of these setups yourself.

As with all of my workshops, everybody will receive a comprehensive PDF of notes, and my Colour 2.0 course is no different. In fact, this is my most detailed PDF to date in that it’s packed with 77 pages of lighting and colour knowledge! That, of course, includes lighting diagrams and setups for both flash and LED lights, but it also houses a ton of coloured light information like coloured-light mixing cheat-sheets, colour theory on what coloured lights mix and when to use them, along with my own thoughts on why and when to use coloured light. The Colour 2.0 course notes are a photography lighting book in their own right!

Some Frequently Asked Questions

Is this course right for you?

The foundational core of this workshop is to explain and show you numerous coloured lighting techniques that may be new to you in this modern era of coloured light. Yes, a large part of the workshop will be spent using LED lighting as that's where I see the future of studio lighitng going. The ease and convenience of millions of colours at your fingertips is simply too great to ignore, and with LEDs getting brighter and brighter with each passing month, there are simply fewer and fewer reasons not to use them. That said, I’m using standard off-the-shelf LEDs, and everything taught here uses fairly standard and inexpensive modifiers that you either already own or are easy to get hold of.

What about your skill level?

Your experience and knowledge are not an issue either, as I thoroughly explain everything I’m doing on the day, and I’ll be with you the entire time you’re shooting to ensure you get the best possible shots you can. At no point are you left to wander off and shoot by yourself, and I’m there the entire time to answer any questions you may have.

What kit do you need to bring?

All you will need to bring is a digital camera that has a hot-shoe (where the flash/flash-trigger goes) and your favourite lenses. For this Colour 2.0 workshop, I recommend a zoom lens to cover all aspects of both close and wide shots. For example, bringing both a 24-70mm plus an 85mm prime lens (if you have it- don’t worry if you don’t), and that will comfortably cover everything on the day. You don’t need to bring any lighting gear as we will be using all my gear on the day.

Will lunch be provided?

Yes, lunch and snacks will be provided. If you have any dietary requirements, please let me know, and I’ll do my best to get the catering company to accommodate.

Where will the course be held?

In recent years, I’ve been using Studio 88 in High Wycombe. It’s situated just outside London, making it a convenient space for both those living in London and those outside London to travel to. High Wycombe is only 30 minutes from Marylebone Station, and the studio is a walkable distance from the station or a 5-minute cab ride away.