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Jake Hicks Photography
  • Technique
    • Latest Techniques
    • FREE TIPS
    • Quick Tips
    • Video
    • Site Search
    • Blog
    • Archives
  • Mentoring
  • >Online Workshops<
  • Workshops
  • Studio Lighting Books
  • Contact
    • Newsletter
    • Contact
    • Statement

Having been a freelance photographer for over a decade, I have been fortunate enough to be involved with some very varied and influential clients. They have chosen me to represent their companies image and ideals because my work is always about ensuring a progressive aesthetic to any given campaign, with my results always standing out for the right reasons.

Specialising in keeping the skill in the camera, not just on the screen.

Being technically very proficient, and with a strong background in the pre-digital era of photography, my ability to capture dynamic visuals ‘in-camera’ without the need to rely on heavy post-production and photo manipulation has always made me far more adaptable on shoot day. It is for this reason that I have been the preferred choice for those clients who want to remain part of the creative process from start to finish. That being said, when the need arises and a job requires efficiency and trust to ensure a shoot can be turned around quickly, being extremely proficient in all modern imaging software is a must, enabling me to remain dynamic and flexible to any last minute changes.

I am also currently a lighting specialist with Bowens Lighting. This sees me running training on studio lighting internationally for one of the worlds leading photographic lighting companies. I also regularly write and contribute to their quarterly industry magazine 'Litebook'.


At present I also work very closely with the following companies:

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A behind the scenes video and a 'professional' shoot discussion with myself on the recent hair competition entry for hair stylist Emmanuel Esteban.


I am also fortunate enough to be able to regularly run my own workshops on lighting and post-production. They always sell-out quickly and are very well received by those who are interested in finding out more about how I work and how I achieve my vibrant coloured lighting effects.

For more details please visit my Training page.

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Published in:

Papercut Magazine (editorial)

Faint Magazine (editorial)

Editorial Magazine (front cover and feature)

Practical Photography (feature)

FaceOn Magazine (editorial)

Digital Photographer (cover)

Flawless Magazine (editorial)

Elegant Magazine (editorial)

Hacid Magazine (editorial)

Carnival Magazine (editorial)

Kaltblut Magazine (editorial)

Photo Technique (feature)

Creative Talent (editorial)

Fashion Faces Magazine (editorial)

Jute Magazine (editorial)

Wove Magazine (back cover)

Ruby Magazine (editorial)

Like a Lion Magazine (editorial)

Lucy's Magazine (feature)

Cliche Magazine (editorial)

Obscurae Magazine (feature)

Amateur Photographer (feature and cover)

NiF Magazine (editorial)

Sugarkiss (editorial and cover)

10TEN Magazine (feature)

RubyMag (editorial)

Sheeba Magazine (feature and cover)

Ellements Magazine (editorial)

Fashion Affairs Magazine (editorial)

Vitti Magazine (feature)

Innocent Magazine (feature)

Mess Magazine (editorial)

Fashion Most Magazine (editorial)

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No matter how varied the role, the project outcome is always the same; a collection of bespoke pieces that have a depth, an intrigue and above all a dynamic style that is pushing a clients needs beyond their expectations.